Heuldro @ Bryn Celli Ddu 2022

Heuldro at Bryn Celli Ddu was a Welsh language, outdoor arts & collaborative event, inspired by the landscape, the ceremonial, the ritual and the celebration of archaeology through creative interpretation.

It was an idea of ours for a long time to have Gwenno perform at Bryn Celli Ddu, and when she asked if she could feature Bryn Celli Ddu in her music video for ‘An Stevel Nowydh’, we knew it had to be.

An Stevel Nowydh – Gwenno

The Heuldro event was the first time we had gathered in numbers at Bryn Celli Ddu since 2019.

Ynghanol pridd a cherrig, fel hen gi,
Fe fu angau’n cnoi ar argwrn
Dair mil o flynyddoedd ym Mryn Celli Ddu.

Gwyn Thomas
Ffilm Heuldro 2022

Over 1000 years of ritual monuments in Bryn Celli Ddu landscape

Over the last five years, our project in the landscape surrounding the Neolithic passage tomb of Bryn Celli Ddu, Anglesey, has revealed a rich landscape of prehistoric ritual monuments. New evidence has demonstrated for the first time, the incredible scale of ritual activity in this landscape. Radiocarbon dates from new excavations on a Bronze Age burial cairn and a circle of pits, as well as recent results from the passage tomb, demonstrate that people were building monuments in this landscape for well over 1000 years.

 

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The project is led by the Welsh Government’s historic environment service, Cadw and Manchester Met University, along with members of the local community and archaeology students.

As part of the post-excavation process we have produced new radiocarbon dates from a series of Neolithic ritual pits, and a newly excavated late Neolithic/Bronze Age burial cairn along a ridge behind Bryn Celli Ddu. These radiocarbon dates demonstrate that after the construction of the iconic Bryn Celli Ddu passage tomb, a pit circle was dug and stone tools and Grooved ware pottery were ceremonially deposited as part of a Neolithic ritual.

The new results also show that there was activity at a huge burial mound to the south of Bryn Celli Ddu, some 500 years later than the pit circle. The effort put into building this burial cairn must have been immense, as some of the stones used in its construction would have weighed over one tonne. The activity at the burial cairn shows the continuing importance of this landscape to prehistoric people over 1000 years after the first monument was constructed here.

Bryn Celli Ddu, or the ‘Mound in the Dark Grove’, is a Late Neolithic passage tomb dating to around 5,000 years ago, located in north west Wales, on the island of Anglesey. It has a special feature, which means that on the ‘Summer Solstice’ – the longest day of the year, a beam of light is cast down the passage, lighting up the chamber. This moment is a very unique occasion, which links Anglesey and Wales with Ireland’s Neolithic heritage.

This fabulous prehistoric landscape demonstrates the importance of this place over 1000 years. The duration of activity here is reminiscence of other important monuments with similar evidence for long term such as Stonehenge. We are only just beginning to explore the stories associated with this landscape, and its connections through the rock art and Grooved ware pottery with important sites in Ireland such as Newgrange and Scotland.

During this year’s excavation, we undertook an extensive geophysical survey across the rest of the Bryn Celli Ddu landscape. The geophysical survey has suggested that there are other prehistoric monuments being located in the Bryn Celli Ddu landscape waiting to be discovered. This type of work is crucial to understanding the landscape, because it gives us a picture of what is tantalisingly beneath the soil. It is only through this developed survey that we are starting to reveal a ceremonial landscape with a complex of cairns, burial chambers and other prehistoric monuments.

The Bryn Celli Ddu Public Archaeology Project is a partnership between Cadw and Manchester Metropolitan University, directed by Dr. Ffion Reynolds, Dr. Seren Griffiths, Dr. Ben Edwards and Adam Stanford.

3D model of the Bryn Celli Ddu pattern stone

As part of the Bryn Celli Ddu landscape project, we have been surveying Bryn Celli Ddu itself along with it’s surrounding landscape.

Bryn Celli Ddu is a late Neolithic passage tomb, excavated in 1929, and now partially reconstructed. It is one of the most important prehistoric monuments in northwest Europe, and attracts c.10 000 visitors annually. The Bryn Celli Ddu project has recently won an Arts and Humanities Research Council (AHRC) grant and is a collaboration between Cadw, the University of Central Lancashire, Manchester Metropolitan University, and Aberystwyth University, and will explore new ways to engage with ancient prehistory at the monument, using digital archaeology techniques, 3D modelling, photogrammetry and laser scanning.

We’ve been creating a suite of 3D models as part of the project, including creating a new model of the Bryn Celli Ddu pattern stone, which is now located at St Fagans: National History Museum in Cardiff.

Bryn Celli Ddu pattern stone
Bryn Celli Ddu pattern stone

For viewing the 3D model use a mouse with a wheel to zoom, left click and hold to rotate and right click to move. Try rotating the model in full screen mode and switch rendering option to Matcap or wireframe (bottom right). A good Internet connection is required along with a compatible Browser such as Google Chrome.

Ancient tomb like you’ve never seen it before: Bryn Celli Ddu in new CGI film

Work has been completed on an innovative CGI film that will bring Bryn Celli Ddu back to life.

Known as one of the most evocative archaeological sites in Britain, the 5,000-year old monument was once constructed to protect and pay respect to the remains of ancestors. It is the only site in Wales that has a solar alignment, where the sun casts a beam of light into the monument on the summer solstice.

The film is part of the Bryn Celli Ddu landscape project, which is a partnership between Cadw, the historic environment service for the Welsh Government, the University of Central Lancashire and Manchester Metropolitan University. The film shows how the site may have looked during the Neolithic period, and sheds light on the newly-discovered rock art panels and Bronze Age cairn which surround the monument.

Using CGI technology, a range of 3D models and laser scanning techniques, the film reconstructs Bryn Celli Ddu and eleven rock art panels, which used to stand in the immediate landscape of Bryn Celli Ddu, thousands of years ago.

The CGI animation allows viewers to ‘see’ Bryn Celli Ddu through its development from the Mesolithic through to its late Neolithic heyday.

The 3D models were developed using photogrammetry by Aerial-Cam, and the CGI developed by Cardiff-based firm Mint Motion.

Adam Stanford, from Aerial-Cam said: “This has been an excellent chance to bring some of Anglesey’s amazing heritage to life.”

“Using 3D models, people will be able to experience Bryn Celli Ddu as never before, viewing the chamber, the passage and the original setting of the famous pattern stone as it was intended.”

Dr Ffion Reynolds, Heritage and Arts Manager for Cadw, said: “This CGI film is just one of the ways we are raising awareness of the Neolithic period on Ynys Môn, or Anglesey, with the aim of engaging local people and visitors in the island’s rich heritage.”

“For the first time, we will be able to show how our ancestors lined up this tomb with the summer solstice. This CGI reconstruction is based on real data, documentary evidence and archaeological discoveries from our current excavations.”

“We’re thrilled that we can reveal this new film to mark the beginning of the third season of excavation in the landscape of Bryn Celli Ddu. We are always looking for new ways to tell these old stories, and we look forward to welcoming people to our celebration events this June”.

As part of the Bryn Celli Ddu landscape project, a series of events have the arranged to celebrate the Neolithic period on Anglesey.

On Friday, June 16, Cadw will invite stargazers young and old to bring along telescopes or binoculars to the prehistoric site to catch a glimpse of the night sky over North Wales.

On Saturday, June 17, an open day celebrating the Neolithic period in Wales will take place at Bryn Celli Ddu.

There will be live flint knapping demonstrations and a chance to meet Neolithic characters, and have a go at making pots like those found at the tomb.

Visitors will get the chance to find out more about the current excavations, with live tours of the monument and the open archaeological trenches.

For full summer events listings, visit www.gov.wales/cadw, find Cadw on Facebook or follow @CadwWales on Twitter.

Inside a solstice aligned tomb: 3d model of Bryn Celli Ddu

As part of the Bryn Celli Ddu landscape project, we have been surveying Bryn Celli Ddu itself along with it’s surrounding landscape. Adam Stanford has been busy making 3d models as part of the project, and in this post we can reveal our model of the interior of Bryn Celli Ddu. You can see the blueschist pillar at the centre of the chamber.

We are currently working with Mint Motion on a fly-through animation of Bryn Celli Ddu and the surrounding landscape. This model will be stitched into it.

For viewing the 3D model use a mouse with a wheel to zoom, left click and hold to rotate and right click to move. Try rotating the model in full screen mode and switch rendering option to Matcap or wireframe (bottom right). A good Internet connection is required along with a compatible Browser such as Google Chrome.

screen-shot-2017-02-24-at-17-35-32

Ffion, Adam, Seren, Ben

First 3D model of Rock Art from around Bryn Celli Ddu: revealing the work of prehistoric artists

As part of the Bryn Celli Ddu landscape project, we have been surveying the surrounding landscape and have identified 8 new cupmarked rock art outcrops over the last two years. Adam Stanford has been busy making 3d models of all the outcrops and we can reveal the first in a series as we countdown to the third season of excavations on Anglesey.

For viewing the 3D model use a mouse with a wheel to zoom, left click and hold to rotate and right click to move. Try rotating the model in full screen mode and switch rendering option to Matcap or wireframe (bottom right). A good Internet connection is required along with a compatible Browser such as Google Chrome.

Take a look at the detail on this model, where you can easily identify more than 25 cupmarks just with the naked eye:

Bryn Celli Ddu landscape outcrop 1

Ffion, Adam, Seren & Ben

Minecraft world of Bryn Celli Ddu offers students virtual tour of prehistoric landscape

Who needs Google Street View when you can explore the famous passage tomb of Bryn Celli Ddu via Minecraft? In an interactive twist on the virtual tour, a new virtual version of Bryn Celli Ddu has been created which will allow young people to explore one of the most impressive Neolithic burial monuments of the British Isles from the safety of the living room. In this blog post, project co-director Dr Ben Edwards from Manchester Metropolitan University shares the process of creating the Minecraft world, with his daughter Bella Edwards, during the coronavirus lockdown. 

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Since 2015, alongside Dr Seren Griffiths, also of Manchester Metropolitan University, Dr Ffion Reynolds of Cadw, and Adam Stanford of Aerial Cam, I have been involved with the Bryn Celli Ddu public archaeology landscape project.

Bryn Celli Ddu is one of the most impressive Neolithic burial monuments in the British Isles: a passage tomb, consisting of a stone-built passage into an artificial earth mound, which terminates in a burial chamber. The passage tomb was used as a location for burial around 3000BC, but the site had a much longer history, and exists in a landscape replete with evidence for prehistoric ritual activity. Prior to the site’s use for burial, a henge monument with an internal stone circle occupied the site and given the 3000BC data associated with the later passage tomb, this would seem to be one of the earliest henge monuments in Wales.

Our excavations during the project did not focus on the tomb itself, as this was excavated in the 1930s prior to its reconstruction and restoration. Instead, we set out to investigate the landscape around the monument, which had seen surprisingly little sustained investigation, despite the importance of the site. We have located new panels of Neolithic cup-marked rock art, demonstrated the existence of a later Early Bronze Age burial cairn cemetery to the south of the tomb, and located a cluster of later Neolithic Grooved Ware pits. The burial monument clearly led to the location being significant in prehistory after the use of the tomb itself had finished.

Bryn Celli Ddu is one of only three passage tombs in Wales, all of which are on Anglesey, but it is the only such monument with an association with midsummer solstice sunrise. The passage into the mound was deliberately aligned so that on the longest day of the year, as soon as the sun rose, it would shine down the passage and illuminate the burial chamber within.

Of absolutely central importance to our project over the course of the last five years has been the involvement of the local community in all our research work. Every year, volunteer excavators have been part of the excavations; public open days have been held; school visits have taken place; a local prehistoric treasure hunt has been designed; along with a smartphone app for public use; and temporary exhibitions at Oriel Ynys Môn. However, with the introduction of the coronavirus lockdown, we were forced to cancel all our excavation, survey and outreach work for the 2020 season. Whilst this was a great shame, it did provide the opportunity for more imaginative ways of connecting people with the prehistoric past.

It seemed to me that a recreation of the Bryn Celli Ddu landscape would be the perfect way to get school children virtually to the site, even though the excavation and open days had been cancelled this year. Thus, by roping-in my now home-schooled daughter, we were able to embark upon a recreation of Bryn Celli Ddu and all the prehistoric features we had discovered or investigated over the five years of the project.

The most fundamental element of any landscape is the topography itself: the shape of the valley of the Afon Braint in which Bryn Celli Ddu is located. The monument was deliberately sited on a low sand and gravel knoll in the middle of the valley, presumably to provide local prominence and to avoid the boggier ground that surrounded the river and its tributary streams. These are now canalised, but aerial photography shows their previous courses in the form of palaeochannels.

Fortunately, using World Painter, a third-party Minecraft world creator, we were able to import an actual digital terrain model of the valley into Minecraft, to use as the base on which to build the world. This terrain model was accurate to 1m, having been derived from satellite lidar data, and the contours clearly showed the course of the river and tributary streams. ‘Painting’ the world as a first step also allowed the rapid creation of the rivers themselves, and the boggy areas that would have surrounded them in prehistory.

The new Bryn Celli Ddu Minecraft experience has now been made available by The Welsh Government, through its Hwb Cymru school’s portal, which provides free access for school children to the Education Edition of Minecraft. Schools across Wales, and the UK, can now download the world onto their Education Editions of Minecraft and allow pupils to access the experience.

The world takes the viewer on a journey through the Bryn Celli Ddu landscape, with its main passage tomb, the cairn cemetery, rock art panels and Neolithic house based on evidence at Llanfaethlu.

The Minecraft Experience is available for all versions of Minecraft but check which one you are using before you download.

For teachers and school children with access to Minecraft Education Edition:

Click Here for the Cymraeg version

Click Here for the English version

For users of the commercial (paid-for) edition of Minecraft click here

Instructions for installing and using Minecraft Worlds is available here

More information on the Minecraft project is available on the Manchester Centre for Public History and Heritage website: here

The Bryn Celli Ddu public archaeology landscape project is led by the Welsh Government’s historic environment service, Cadw and Manchester Metropolitan University.

Galw am wirfoddolwyr i bedwerydd tymor o gloddio yn Bryn Celli Ddu, rhwng y 11 o Fehefin ac y 7 o Orffenaf

Rydym yn dychwelyd i gloddio yn nirwedd Bryn Celli Ddu am ein bedwerydd tymor, rhwng y 11 o Fehefin ac yr 7 o Gorffenaf. Ydych chi yn byw ar Ynys Môn, neu gogledd Cymru? Rydym yn apelio am wirfoddolwyr i ymuno efo’r prosiect. Mae’n rhad ac am ddim i fod yn rhan o’r tîm.

Bydd y prosiect archaeoleg gymunedol cyffrous hwn, a leolir ar Ynys Môn, yn canolbwyntio ar dirwedd Bryn Celli Ddu. Dros y tri blwyddyn diwetha, mae’r tîm wedi dod o hyn i lawer o dystiolaeth  — gyda sylw arbennig i gelfyddyd y creigiau cyfagos, heneb oes efydd, a glych o bydewau Neolithig, yn peintio llun o gweithgareddau dynol yn yr ardal, wrth i bobl ddefnyddio ac ailymweld â’r ardal dros 10,000 o flynyddau.

Mae’r dystiolaeth hon o blaid gweithgaredd cynhanesyddol yn awgrymu’r potensial fod y sefyllfa yn y tirwedd — a’r gyfeiriadaeth rhwng henebion — yn bwysig ar gyfer datblygu’r tirwedd yn y gorffennol.

 

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Cynhelir cyfres o gyfleoedd i wirfoddoli, gweithdai a digwyddiadau ym Mryn Celli Ddu yn ystod mis Mehefin a Gorffenaf 2018, ac rydym yn chwilio am wirfoddolwyr i gymryd rhan yn y cloddio ar hyn o bryd.

I fod yn rhan o’r prosiect, cysylltwch â Dr Ffion Reynolds ar CadwPublicProgrammes@gov.wales.

Cynhelir Diwrnod Agored Archaeoleg ar 16 Mehefin ym Mryn Celli Ddu. Bydd gweithdai, gosodiadau celf a theithiau o gwmpas heneb Bryn Celli Ddu a’r gwaith cloddio. Bydd yna hefyd noson i syllu ar y sêr ym Mryn Celli Ddu ar y 15 o Fehefin.

Mae Prosiect Tirwedd Bryn Celli Ddu yn bartneriaeth rhwng Cadw, Prifysgol Fetropolitan Manceinion a Prifysgol Gaerhirfryn . Mae’r prosiect yn cael ei gyfarwyddo gan Dr Ffion Reynolds, Seren Griffiths, Dr Ben Edwards, Adam Stanford. Nod y prosiect yw datblygu Archaeoleg Gyhoeddus, Modelu 3D ac ymchwil archaeoleg.

New season dates 11 June to the 7 of July 2018 @ Bryn Celli Ddu landscape project

We are returning to the Bryn Celli Ddu landscape for our fourth year of excavation between the 11 June to the 7 of July 2018. Do you live on Anglesey or in northwest Wales? We are seeking local volunteers to join our team. It’s free to take part, so we hope you’ll sign up.

The project focuses on the landscape surrounding Wales’ famous Neolithic passage tomb. During the last three years we have built up a picture that includes a Late Neolithic / Bronze Age cairn, a enigmatic Neolithic pit circle, along with several rock art panels situated close by, making a case for a complex multi-period landscape. We return to continue to work in the vicinity, looking further at a possible Neolithic causewayed enclosure in the same area.

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During the excavation, the team have opened a 10m × 10m trench over the north-east quarter of a circular Neolithic/early Bronze Age cairn lying some 30m south-west of the main Neolithic passage tomb. We recorded the cairn in plan, recovered samples for radiocarbon dating, and re-excavated previous interventions in order to determine the construction sequence.

The excavation revealed a circular stone cairn with two concentric stone kerbs. Large stones of conglomerate, blueschist, and quartzite had been used for the kerbing and cairn. Among the finds were pieces of worked flint, charred plant remains, and occasional fragments of burnt bone.

Further afield and on rising ground within sight of Bryn Celli Ddu, with views of prominent landmarks such as the Snowdonia mountain range, we have discovered eleven unrecorded rock art outcrops.

The proximity of these monuments to Bryn Celli Ddu emphasises the complexity of this landscape, about which we still know very little.

To get involved and be part of the excavation team, please contact Dr Ffion Reynolds on CadwPublicProgrammes@gov.wales to sign up! 

An Archaeology Open Day will take place on the 16 of June at Bryn Celli Ddu itself, with workshops, art installations, live tours of our trenches, geology talks and more. There will also be a stargazing event on the 15 of June.

The Bryn Celli Ddu Public Archaeology Landscape Project is a partnership between CadwUniversity of Central Lancashire and Manchester Metropolitan University directed by Dr. Ffion Reynolds, Dr. Seren Griffiths, Dr. Ben Edwards and Adam Stanford.

Bryn Celli Ddu landscape project: Week 1 round-up

We are at the end of our first week at the Bryn Celli Ddu landscape project 2017, excavating in the field immediately behind the passage tomb, with a great group of volunteers.

This year’s archaeological excavation started on the 11 of June and will continue until the 24 of June, and the focus has been on investigating a series of circular anomalies brought to light by conducting a geophysical survey over this field earlier in the year.

Cairnfield
The geophysical survey results of the cairn field 2017 – you can see several circular shaped anomalies, with Bryn Celli Ddu just out of shot on the right hand side of this image. Copyright: Ben Edwards

Last year, we were in the same field where the remains of a Late Neolithic to early Bronze Age cairn was re-excavated. This was originally excavated as part of the investigations made by W. J. Hemp and R. S. Newall in the late 1920s.

The direction of the summer solstice at Bryn Celli Ddu, and our 2016 excavation in the background, showing the location of the Newall cairn we re-excavated. Copyright: Adam Stanford

What the geophysical survey suggested was that several more circular shaped anomalies were located along the same ridge, which looked suspiciously similar to the Newall cairn in form and shape.

Image of the Bryn Celli Ddu monument and cairn field, under snow conditions with raking winter light. Copyright: Toby Driver
Image of the Bryn Celli Ddu monument and cairn field, under snow conditions with raking winter light. The cairn field ridge can be clearly seen under these conditions. Copyright: Toby Driver

In order to prove one way or another if these anomalies were archaeological, we opened two trenches across two of the circular anomalies, and over the last week we have made some important discoveries.

In Trench 1, a cluster of prehistoric pits have been found. Inside these pits, a series of pottery fragments have been discovered, as well as some flint blades and flakes.

Trench 1
Trench 1 from the Bryn Celli Ddu landscape project 2017. Copyright: Adam Stanford

In Trench 2, we opened a further trench across the length of a second circular anomaly, and have come down on to a layer of stoney material, suggesting that this is another cairn. Hopefully, as the next week progresses we will find some reliable material to give the monument a date.

Trench 2
Trench 2 from the Bryn Celli Ddu landscape project 2017. Copyright: Adam Stanford

Over the two weeks, the excavation will host 100s of school children alongside youth groups and the general public.

Bryn Celli Ddu landscape project, showing the two open trenches over the two trenches
Bryn Celli Ddu landscape project, showing the two open trenches along the ridge in the cairn field. Copyright: Adam Stanford

On Saturday the 17 of June we hosted a free public open day, welcoming over 750 people to view the site and to take a tours of the open trenches. Thank you to everyone for taking part and coming along – it was a scorcher!

Bryn Celli Ddu Open Day 2017
Bryn Celli Ddu Open Day 2017. Copyright: Adam Stanford

Ffion, Seren, Ben & Adam

 

Art & Archaeology at Bryn Celli Ddu: SPYGLASS

As we count down for the third season of the Bryn Celli Ddu landscape project, we catch up with Angela Davies, our artist in residence about her work on SPYGLASS and her upcoming residency:

Hi, I’m Angela and I’ve been artist in residence at the Bryn Celli Ddu landscape project for the last three years. I am an interdisciplinary artist whose work is informed by relationships with art, science, nature and technology.

Clockwork Constellation, Angela Davies
Clockwork Constellation, Angela Davies

I work across disciplines – sculpture, installation and performance, to create both intimate and large scale interactive light works. I often draw upon a hybrid of traditional disciplines alongside creative technologies – electronics, robotics, interactivity, coding and moving image. The use of these technologies translates the idea of communication and connectivity. Layering and light is used to cross boundaries between real and illusionary space. ‘Time, people, place’ is a theme that underpins the exploration of the residency at Bryn Celli Ddu.

Aims for the Residency

I was interested in further exploring some of the key concepts that I touched upon during the first residency at BCD in 2015.

Primarily, to speculate on ‘areas of light’ which connect to ‘patterns of distribution’ (Frances Lynch). I am interested in the structural and luminescence quality of the quartz along the passageway of the tomb, the relationship to light and the alignment of the sun that illuminates the passageway during the summer solstice. Furthermore, I have been considering the relationship of the Neolithic sites across Anglesey, which may have geographical connection to Bryn Celli Ddu.

These have been represented as constellation drawings. In terms of fulfilling personal and professional creative practice aims, the exploration of scale, process and sensory application is at all times deeply considered as methods to engage audiences in the Art & Archaeology collaboration. Additionally, I wanted to respond to the archaeologists’ discoveries at the time of the enquiry, to help inform and shape the creative response.

Constellations lenses

Many explorations and discoveries have driven the project forward. One of which is the deep fascination I have in creating constellation lenses to illuminate the ancient sites of Anglesey.

BCD Constellation I & II, Angela Davies
BCD Constellation I & II, Angela Davies

I engaged with traditional craft processes to create a series of lenses with ancient landscapes as constellations, mapped into the surface.

Patterns of Distribution, Angela Davies
Patterns of Distribution, Angela Davies

The images presented demonstrate explorations within the BCD chamber as ‘Patterns of Distribution’. The significance of the chamber and its position to the sun as it becomes illuminated during the solstice was a process I wanted to emulate.

I speculated upon the relationship between ancient technology and new technological processes I had been engaged in creating a complex light navigating system through the exploitation of robotic and interactive technologies (supported by Innovate UK and Arts Council England). I constructed a version of ‘SpyGlass’ within BCD. Presenting the robot as a light navigator to illuminate the chamber acted like a microscope, revealing the interior construction of the chamber and human activity of the past.

3d model of rock art panel 001 found during 2015 excavations

There was an interesting poetry between referencing the archaeologists’ discoveries of a dumbbell motif and a cluster of cup-marks, through the act of drawing with light, to illuminate the past from within the chamber.

Still image from SpyGlass video, Angela Davies
Still image from SpyGlass video, Angela Davies

Micro-Macro

SpyGlass explores light as vision and movement, to heighten the viewers’ perceptual awareness. The BCD Constellation lens was presented on the SpyGlass sculpture and projected within the chamber. As the light navigated and illuminated the past landscapes, the light unfolded and wrapped itself around the chamber to reveal the hidden intricacies of the past. It represents an understanding of time and space, to both its story and time as a navigation system.

Reflection

The reflections on time: human engagement and ceremony were explored in 2015. For this second stage of the residency, the reverence of light and the relationship with technology became a significant exploration alongside the mapping of physical and spiritual landscape as connections through time. For part 3 of the BCD Residency, my aspiration is to synthesis the explorations to consider how I can present a kinetic time-piece to convey the conceptual nature of quartz as a material of time, utilsing the bespoke technologies that I have devised.

Link to SpyGlass 2016

Angela Davies

New season dates announced for the Bryn Celli Ddu landscape project

We are happy to say that we are returning to Bryn Celli Ddu for our third year of excavation between the 11-24 of June! It’s free to take part, so we hope you’ll sign up.

The project focuses on the landscape surrounding Wales’ famous Neolithic passage tomb. During the last two years we have built up a picture that includes a Late Neolithic / Bronze Age cairn, along with several rock art panels situated close by, making a case for a complex multi-period landscape. We return to continue to work in the vicinity, looking further at a possible Neolithic causewayed enclosure and ring-ditch in the same area.

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Last year, the team opened a 10m × 10m trench over the north-east quarter of a circular Neolithic/early Bronze Age cairn lying some 30m south-west of the main Neolithic passage tomb. We recorded the cairn in plan, recovered samples for radiocarbon dating, and re-excavated previous interventions in order to determine the construction sequence.

The excavation revealed a circular stone cairn with two concentric stone kerbs. Large stones of conglomerate, blueschist, and quartzite had been used for the kerbing and cairn. Among the finds were pieces of worked flint, charred plant remains, and occasional fragments of burnt bone.

Further afield and on rising ground within sight of Bryn Celli Ddu, with views of prominent landmarks such as the Snowdonia mountain range, we have discovered eight unrecorded rock art outcrops.

The proximity of these monuments to Bryn Celli Ddu emphasises the complexity of this landscape, about which we still know very little.

To get involved and be part of the excavation team, please contact Seren Griffiths on Sgriffiths7@uclan.ac.uk to sign up! 

An Archaeology Open Day will take place on the 17 of June at Bryn Celli Ddu itself, with workshops, art installations, live tours of our trenches, geology talks and more. There will also be a stargazing event on the 16 of June.

The Bryn Celli Ddu Public Archaeology Landscape Project is a partnership between CadwUniversity of Central Lancashire and Manchester Metropolitan University directed by Dr. Ffion Reynolds, Dr. Seren Griffiths, Dr. Ben Edwards and Adam Stanford.

NEOLITHIC WALES | Y NEOLITHIG YNG NGHYMRU